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Religion on the Rocks

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Copyright: 2014
Trim: 7 x 10
Pages: 340 pp.
Illustrations: 82 illustrations, 8 maps

CLOTH
978-1-60781-364-4
$65.00
Short

eBOOK
978-1-60781-365-1
$52.00

Religion on the Rocks

Hohokam Rock Art, Ritual Practice, and Social Transformation

Aaron M. Wright

Archaeology / Anthropology

The petroglyphs and pictographs of the American Southwest are intriguing, but we commonly ask what they “mean”. Religion on the Rocks redirects our attention to the equally important matter of what compelled ancient peoples to craft rock art in the first place. To examine this question, Aaron Wright presents a case study from Arizona’s South Mountains, an area once flanked by several densely populated Hohokam villages. Synthesizing results from recent archaeological surveys, he explores how the mountains’ petroglyphs were woven into the broader cultural landscape and argues that they are relics of a bygone ritual system in which people vied for prestige and power by controlling religious knowledge. The features and strategic placement of the rock art suggest this dimension of Hohokam ritual was participatory and prominent in village life. Around AD 1100, however, petroglyph creation and other ritual practices began to wane, denoting a broad transformation of the Hohokam social world. Wright’s examination of the South Mountains petroglyphs offers a narrative of how Hohokam villagers negotiated a concentration of politico-religious authority around platform mounds. Readers will come away with a better understanding of the Hohokam legacy and a greater appreciation for rock art’s value to anthropology.


Aaron M. Wright is a former preservation fellow with the Center for Desert Archaeology (now Archaeology Southwest) in Tucson, Arizona. His research interests include indigenous Southwest ritualism and religion, rock art, and paleoclimatology. He is coeditor (with Timothy Kohler and Mark Varien) of Leaving Mesa Verde: Peril and Change in the Thirteenth-Century Southwest.



Table of Contents:

List of Figures
List of Tables
Acknowledgments

1. Introduction
2. Ritual Practice, Religious Knowledge, and Social Reproduction
3. Ritual, Religion, and Society among the Hohokam
4. The South Mountains Archaeological Landscape
5. Chronicling Hohokam Rock Art
6. Ritualization of Hohokam Rock Art
7. Hohokam Rock Art as Religious Knowledge
8. Rock Art and Transformation of the Hohokam Social World
9. Conclusion

Appendix: Petroglyph Typology
Notes
References
Index


Praise and Reviews:

“Brings a scientific calculus to bear on the interpretation of Hohokam rock art that is far more sophisticated than any earlier attempts.”
—David R. Wilcox, senior research associate, Museum of Northern Arizona

“His work provides one of the few recent pieces of research that integrates the study of rock art into a sound anthropological approach and does not fall back on a simplistic notion of shamanism. In addition, this work covers new ground and represents a real contribution to Hohokam archaeology. This book goes beyond just archaeological interest. It provides a good case study for ritual practices in a context of social organization and will inform scholars in the broader anthropological and sociological realms.”
—Paul F. Reed, preservation archaeologist, Archaeology Southwest

“A landmark production offering a dynamic new synthesis of the Hohokam as it establishes new strategies for future research integrating rock art with social, religious, and political processes.… Beautifully and clearly written, engaging the reader from start to finish, Religion on the Rocks, winner of the Don D. Fowler and Catherine S. Fowler Prize, deserves space on the bookshelf of every Southwestern archaeologist.”
—KIVA: Journal of Southwestern Anthropology and History


Awards:

Winner of the Don D. and Catherine S. Fowler Prize 2012

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